Thursday, August 24, 1972
Berkeley Community Theatre, Berkeley, CA
Soundboard Recording
“Good time music by good time people”
Bill Graham introduction, 8/24/72
Once again I find myself overwhelmed by the way the Grateful Dead sounded so completely at the top of their game in 1972. In a year that saw a more subtle evolution than its predecessor, there is no doubt that 1972 demonstrated an amazing metamorphosis bridging 1971 to 1973. When one considers ’71 against ’73 they stand nearly as distinct as day to night. And while it is clear that there were many miles between these two years, 1972 showcases an amazing consistency throughout. End to end it’s a constant roller coaster ride through both the Americana Rock and wild psychedelic adventurism that were both completely the Grateful Dead.
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You don’t need to hang around Grateful Dead tapes very long before you realize very little convincing is needed when it comes to listening to a 1972 show. So, allow me to highlight just a few obviously key elements and then step over to the stereo to turn the volume up too loud for us to talk to each other and hit the play button.
Set 1: Promised Land, Sugaree, Jack Straw, China Cat Sunflower > I Know You Rider, Me & My Uncle, Bird Song, Beat It On Down The Line, Tennessee Jed, Playin’ In The Band, Casey Jones
Set 2: Mississippi Half-Step Uptown Toodeloo, Mexicali Blues, Brown Eyed Women, Truckin, Dark Star > Morning Dew, Sugar Magnolia, Ramble On Rose, Greatest Story Ever Told, Sing Me Back Home, One More Saturday Night E: Uncle John’s Band
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Whether it’s within the Playin’ jam, or the amazing Dark Star, or even the insanely tight weave of the final Uncle John’s Band segment, I am forever feeling things move through either the vast open empty spaces of the fractal pattern, or cascading wildly through the forever repeating and coiling tendrils hidden deep in the details. These extremes are synched to the beautiful dynamics that the band is utilizing – something not always ascribed to 1972. Here on 8/24 the Dead are all at once fully at ease and wickedly electrified at the same time – something that manages to describe their essence through this period very well. And yet this show provides ample breathing room which only heightens the entire musical experience.
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Now let’s hit the volume knob and get this started.
08/24/72 SBD etree source info
08/24/72 SBD Stream
Thanks for this. I had never listened to August 24 and 25 before, but the Charlie Miller SBDs on archive.org are remarkable. These shows may be the peak of their entire career. Dave Davis, Los Angeles
ReplyDeleteSomehow I can't recall how I stumbled onto your blog. Regardless, it's now bookmarked. Listened to the 24th last night while doing other things...tonight it's playing again, though now it's just me, the music, and a warm woodstove on a cold October night. Thanks for being out there and sharing.
ReplyDeleteIce, Thanks again for another review. I'm pushing 40 years of Dead and I keep discovering this stuff due to your insight and archive.org. Keep it up. Ron, Chicago.
ReplyDeleteAnother strikingly great '72 show. The boys were still on the bus, with all the attendant youthful spark, but their chops had matured tremendously. The band just crackles with energy. Great work you are doing here. Cheers.
ReplyDeleteI so agree with you about the amazingness of 1972. I picked a great time to get on the bus!
ReplyDeleteThat you did. And I'd say that Deadheads are awfully glad you got on. Thanks, David.
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